Neither Nomadland nor Mangrove are set right now, or even just before right now, in 2019, which is where I’ve mentally sorted any otherwise-very-contemporary stories that, naturally, do not feature multiple characters wearing masks and keeping their distance. Nomadland is specifically set during an election year that now feels like the distant past, taking place mostly over the course of 2012. Mangrove is a real-life courtroom drama that takes place in 1970. Yet–big sigh, deep breath, and then maybe another sigh–both of these New York Film Festival entries are plenty appropriate for our current moment, in ways that alternately seem complementary and diametrically opposed. Chloé Zhao’s Nomadland is all about our old friend “economic anxiety,” albeit treated with unusual gentleness, while Steve McQueen’s Mangrove is about the kind of racist, violent police harassment that has inspired countless protests in 2020. Both of them have plenty of opportunities to come across as hamfisted in one way or another, and both of them succeed in ways that are somehow both straightforward and oddly miraculous.
Continue reading NYFF58 At-Home Dispatch #2: Mangrove and Nomadland
All posts by Jesse
- The SportsAlcohol.com Podcast: Oscars Special 2025! - February 25, 2025
- The SportsAlcohol.com Podcast: Best Movies of 2024 - February 14, 2025
- The SportsAlcohol.com Podcast: Top Summer Movies of 1984 - December 28, 2024
ANTEBELLUM raises the question: Is Janelle Monáe a great actor, or just a musical genius?
Antebellum was supposed to be another big breakthrough for Janelle Monáe. That might seem like an absurd concept for an entertainer who has already put out multiple records, starred in multiple Best Picture nominees, and received of her own nominations for a multitude of awards in various fields. Surely, someone will offer decent odds on her EGOTing sometime in the next four decades. But right now, her film career is still relatively young, and Antebellum represents her first unambiguous starring role. It’s the kind of next step that can only be taken after massive previous successes; last spring, starring in a new socially-conscious horror movie from producers who worked on Get Out and Us seemed like another level up for a rare talent.
As with so many plans, a worldwide pandemic waylaid Monáe’s first leading-lady film. (She previously starred in the second season of Homecoming on TV.) Originally set to debut in April, Antebellum was bumped into August, then scheduled for a VOD-only release in September. Though trailers piqued a lot of curiosity, early reviews have not been kind; some critics have designated it one of the year’s worst, and they’re not wrong. A seemingly provocative dual narrative—one featuring Monáe as Veronica, a successful author in contemporary America, the other where she endures grotesque cruelty as Eden, a slave in the South—turns out to be a pretty facile, even exploitative gimmick story that employs real-life horrors for no greater purpose than to point out that they are, in fact, horrifying. Aiming to blow minds a second time, the movie further points out that racism still exists today. Turns out those Get Out comparisons were extremely unwise.
Notably, there aren’t many reviews that blame Monáe for the film’s shortcomings as a thriller, which makes sense; Antebellum fails on the writing and directing levels before any of its cast has a real chance to salvage it. Live by a hooky concept, die by a hooky concept. At the same time, it’s hard to walk away from this mess thinking that Monáe is a major movie star in waiting. If she’s giving it her best shot, it hasn’t resulted in a compelling performance that powers through bad material. She goes down with the ship. As Eden, she spends a lot of screen time reacting: to the horrors around her, to the unwinnable situation she’s found herself in, and to horrible violence perpetuated against other Black people. That’s the case for her work as Veronica, too. She reacts to microaggressions from white folks, vaguely unsettling hints that something is about to go wrong, and to the more outspoken demeanor of her friend Dawn (Gabourey Sidibe)—giving us scenes where Monáe is reacting to other reactions.
Continue reading ANTEBELLUM raises the question: Is Janelle Monáe a great actor, or just a musical genius?
NYFF58 at Home Dispatch #1: Lovers Rock, Fauna, and The Calming
I’ve been attending the New York Film Festival for nearly a decade and, because of various scheduling factors and assignments, I’ve known it largely as a venue for splashy, high-end premieres of one sort or another. Even though many of the NYFF selections typically hit Cannes, Toronto, and/or Venice first, they’ll still, say, be the first place anywhere that shows Paul Thomas Anderson’s Inherent Vice, or Steven Spielberg’s Bridge of Spies, or Martin Scorsese’s The Irishman, under optimal conditions and maximum excitement. The Irishman is a perfect case in point, not just for the massive hype of a major fall movie shown for the first time, but for a more recent phenomenon: Last year especially, New York Film Fest became a go-to destination for catching movies that otherwise might not play on a big screen near you.
Of course, The Irishman and Marriage Story and the previous year’s Ballad of Buster Scruggs all did get theatrical engagements before their Netflix bows. But they were always tied up in uncertainty over which theaters would agree to Netflix’s shortened-window terms, and whether those theaters would give those movies anything better than token shoebox-auditorium engagements (Netflix seems semi-committed to theatrical releases for its prestige projects, but also reneges on promised splashiness like the thousands of screens that were supposed to show The Irishman). NYFF was a way for nervous cinephiles to make damn well sure they saw these movies on a big screen.
Now those concerns seem downright laughable. Wondering about whether a movie might play on big enough screens so that it might be experienced with a giant crowd of strangers? Ha, that’s pre-pandemic thinking, the concerns of a more innocent age! The New York Film Festival, like all but a very select few and foolhardy film concerns of the past six months, has moved online. The types of marquee features that might typically populate the opening, centerpiece, and closing slots have largely vacated the release calendar entirely, making a smaller, more streaming-friendly festival. Last year boasted the mid-fest world premiere of The Irishman. This year’s opening night? Part of a TV show Steve McQueen did for Amazon.
Continue reading NYFF58 at Home Dispatch #1: Lovers Rock, Fauna, and The Calming
The SportsAlcohol.com Podcast: Bill & Ted & Trilogies
To celebrate the recent release of long-awaited trilogy-creator Bill & Ted Face the Music, your pals at SportsAlcohol.com got together to talk about the new Bill & Ted movie, discuss our wide range of opinions of how well it works, and then have a broader discussion about the state and mechanics of movie trilogies these days. What are the best ones? What one-offs have been ruined into trilogies, and what great trilogies have been ruined with a part four? What makes a great trilogy, any? Are there even any? These questions and more are answered by your most excellent participants!
We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:
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- You can subscribe to our podcast using the rss feed.
- I’m not sure why they allowed it, but we are on iTunes! If you enjoy what you hear, a positive comment and a rating would be great.
- I don’t really know what Stitcher is, but we are also on Stitcher.
- SportsAlcohol.com is a proud member of the Aha Radio Network. What is Aha? It’s kind of like Stitcher, but for your car.
- You can download the mp3 of this episode directly here.
- Our most recent episode or two will often be available on our Soundcloud.
- You can listen in the player below.
The SportsAlcohol.com Podcast: The New Mutants
Well, after two and a half years of trailers, blown release dates, rumored but nonexistent reshoots, good buzz, bad buzz, and corporate acquisitions, the movie event of the pandemic is finally here: The New Mutants is out in theaters to accidentally close out the X-Men movie series. Improbably enough, four core members of the SportsAlcohol.com brain trust found a way to see this movie safely without press screenings or VOD. (Please don’t go out to even a semi-crowded movie theater to see The New Mutants or anything else; it’s playing at drive-ins, and some theaters are doing private auditorium rentals, if you are so moved.) So naturally, Jesse, Marisa, Nathaniel, and designated X-pert Rob had to get together to discuss this momentous, uh, footnote to X-Men movie history. Consider this the long-delayed sequel to our last X-Men movie episode! And consider it our last episode about the Fox era of X-Men on film… or is it?!?! Consider this your starting buzz for a Magik spinoff in 2022!
We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:
-
- You can subscribe to our podcast using the rss feed.
- I’m not sure why they allowed it, but we are on iTunes! If you enjoy what you hear, a positive comment and a rating would be great.
- I don’t really know what Stitcher is, but we are also on Stitcher.
- SportsAlcohol.com is a proud member of the Aha Radio Network. What is Aha? It’s kind of like Stitcher, but for your car.
- You can download the mp3 of this episode directly here.
- Our most recent episode or two will often be available on our Soundcloud.
- You can listen in the player below.
The SportsAlcohol.com Podcast: Top Movies of Summer 1990
It’s that time of year again… again! Your pals at SportsAlcohol.com have made an annual trip back 20 years to discuss the biggest summer movies of 2000, 1999, 1998, 1997, 1996, 1995, and 1994. While we’re hotly anticipating our review of Summer 2001 blockbusters to be recorded in 2021, we felt unfinished, moving on from the 1990s with several years left uncovered. So we decided to double up and jump back thirty years for a look at the top box-office earners (and a few others) from summer 1990. Yes, this means you have episodes about 2001 and 1991 to anticipate next summer. And you have a brand-new episode to listen to right now that includes Jesse, Marisa, Becca, Nathaniel, and Jeremy chatting about:
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- Hotshot doctors and lawyers! Like on TV!
- Future Expendables Arnold, Bruce, and Mel!
- Sequels back when sequels were mostly bad! (With two fantastic exceptions.)
- Justice for Demi Moore!
- The next Batman that wasn’t! Except for a few of us!
- AND MORE!!!
We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:
-
- You can subscribe to our podcast using the rss feed.
- I’m not sure why they allowed it, but we are on iTunes! If you enjoy what you hear, a positive comment and a rating would be great.
- I don’t really know what Stitcher is, but we are also on Stitcher.
- SportsAlcohol.com is a proud member of the Aha Radio Network. What is Aha? It’s kind of like Stitcher, but for your car.
- You can download the mp3 of this episode directly here.
- Our most recent episode or two will often be available on our Soundcloud.
- You can listen in the player below.
The SportsAlcohol.com Podcast: Best Movies of 2020
Usually around this time of year, we do a seasonal episode about the various indie movies of the summer, and then an episode in January about the best movies of the preceding year. But honestly, who the hell knows what the rest of 2020 has in store for us? So this year we’ve decided to just call it off and talk about some of the best movies of 2020 right now, in August. Would Tenet or The New Mutants have made our informal list? Who knows?! And who cares?! We had more than enough good movies to fill a supersized episode anyway, all of which you can currently watch at home without getting covid! Join Marisa, Sara, Nathaniel, Jeremy, and Jesse as we console ourselves with cinema!
We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:
-
- You can subscribe to our podcast using the rss feed.
- I’m not sure why they allowed it, but we are on iTunes! If you enjoy what you hear, a positive comment and a rating would be great.
- I don’t really know what Stitcher is, but we are also on Stitcher.
- SportsAlcohol.com is a proud member of the Aha Radio Network. What is Aha? It’s kind of like Stitcher, but for your car.
- You can download the mp3 of this episode directly here.
- Our most recent episode or two will often be available on our Soundcloud.
- You can listen in the player below.
The SportsAlcohol.com Podcast: Billboard Charts 2000!
It’s that other, similar but different time of year again: Time for us at SportsAlcohol.com to get together and take a selected tour through the full-year Billboard Hot 100 chart, talking about the singles we love, hate, and swear we’ve never heard in our lives. About the length of a killer mix tape, this episode crams in analysis, nostalgia, tangents, and everything else, covering, I don’t know, like 30 different pop songs across genres and tastes. It’s like what we did in 1999 and 1996, only this time it’s the YEAR 2000, BABY! So join Rob, Jesse, Marisa, and Jason on a wild ride through the first and/or last year of the millennium! And the Willennium! And the time when terrible pop-country dominated the charts!
We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:
-
- You can subscribe to our podcast using the rss feed.
- I’m not sure why they allowed it, but we are on iTunes! If you enjoy what you hear, a positive comment and a rating would be great.
- I don’t really know what Stitcher is, but we are also on Stitcher.
- SportsAlcohol.com is a proud member of the Aha Radio Network. What is Aha? It’s kind of like Stitcher, but for your car.
- You can download the mp3 of this episode directly here.
- Our most recent episode or two will often be available on our Soundcloud.
- You can listen in the player below.
Everything You Wanted to Know About A Nice Girl Like You (But Were Afraid to Ask)
A common complaint of sorts about sex in contemporary, mainstream movies is how often it seems to happen with clothes on, and not in an urgent Risky Business sort of way. These are the kinds of weirdest-of-both-worlds encounter where women strip down enough to indulge some cheap titillation, and then sleep, with what I’m told would rep significant discomfort, in their bras, while men keep their boxers on like they’re about to go for a quick dip in an unattended hotel pool. It’s gotten to the point where the most explicit sex in a studio movie tends to happen in comedies, by virtue of what’s become a comic cliché: the quick montage of caricatured acrobatics masquerading as sex positions. (And even there, when the joke is supposed to be the outré cheekiness, the actors still pretty much keep their clothes on.) It’s so difficult to complain about the chasteness of these moments without sounding prurient (and to be clear, I think movie actors of all genders should be naked more often) that I can almost understand the instinct to suggest doing away with them all together.
There’s a moment early in A Nice Girl Like You that very nearly confronts the unsexy, overlit mechanics of rom-com sexuality. Lucy (Lucy Hale) is having sex with her unconvincing live-in boyfriend Jeff (Stephen Friedrich), and her mind is wandering, her inner monologue a mess of self-consciousness and only fleeting pleasure. She is also wearing a full-on pajama top. When she cries out the name of a grocery-list item she forgot rather than her beloved’s, Jeff ceases all operations, briefly complaints about her distracted disinterest in their lovemaking, calls her out for wearing what look like flannel pajamas, and heads to his mancave-y office to do some work, by which he means play video games and jerk off to porn.
It’s uncomfortably easy in this scene to read Jeff as exactly the kind of creep critic (slash blogger slash any given guy playing video games) complaining about the hot girl in the movie not getting naked before retiring to angrily masturbate in an environment constructed with hospitality toward his animal urges closer to front of mind. Lucy even shares a name with the actress who plays her; all that’s missing is some kind of overfamiliar nickname she doesn’t actually use. Even without those overtones, here is a movie scene that acknowledges the vast gulfs between male fantasy, the realities of couplehood, and the cutesy primness of so much movie sex.
Continue reading Everything You Wanted to Know About A Nice Girl Like You (But Were Afraid to Ask)
The SportsAlcohol.com Mini-Podcast: Desperados, starring Nasim Pedrad
The SportsAlcohol.com podcast is generally not a one-movie-at-a-time type show. We cover filmographies, genres, franchises… and sometimes, individual movies that simply demand our attention. For reasons we cannot fully explain, Desperados, a new Netflix comedy starring Nasim Pedrad, was such a movie. I learned this movie was dropping on Netflix like three days before it happened, and I was so excited that fellow A.V. Club freelancer, SNL fan, and all-around delightful pop-culture writer LaToya Ferguson was equally excited and willing to talk to me about this unexpected Nasim star vehicle! So here we are, talking about Nasim Pedrad, Desperados, and which SNL stars we’d love to see getting the Judd Apatow-style 2.5-hour semi-autobiographical treatment, among other topics. You’re welcome, nerds!
We are now up to SEVEN (7) different ways to listen to a SportsAlcohol podcast:
-
- You can subscribe to our podcast using the rss feed.
- I’m not sure why they allowed it, but we are on iTunes! If you enjoy what you hear, a positive comment and a rating would be great.
- I don’t really know what Stitcher is, but we are also on Stitcher.
- SportsAlcohol.com is a proud member of the Aha Radio Network. What is Aha? It’s kind of like Stitcher, but for your car.
- You can download the mp3 of this episode directly here.
- Our most recent episode or two will often be available on our Soundcloud.
- You can listen in the player below.